The pillared hall and the sanctum sanctorum

Chennakeshava temple, Beluru, Lathe-turned columns line the passageway to the navaranga, p40

The central hall (navaranga) in the Kesava temple at Belur is the largest of any Hoysala temple and is of the Triratha or the diamond-shaped layout. The navaranga hall has forty-eight pillars. All except the central four are carved uniquely. These four are later additions built to support the roof.

Chennakeshava temple, Beluru, Geometric and floral patterns on the columns, p41
Chennakeshava temple, Beluru, Precision geometric designs on the lathe-turned columns , p42
Chennakeshava temple, Beluru, Intricate designs at the top of a Navaranga column, p43

Left to right:

a. Exquisitely carved lathe-turned columns with floral patterns

b. Precision geometric designs on the lathe-turned columns

c. Intricate designs at the top of the column

Chennakeshava temple, Beluru, The hand carvings on the Narasimha pillar, p45

Two pillars in the Navaranga are particularly notable. One is the Narasimha pillar here which is carved with miniature figures from top to bottom, such as a tiny bull (kadale basava). This pillar once could rotate but not anymore.

Chennakeshava temple, Beluru, The Mohini pillar, p46

The other noteworthy pillar is the Mohini pillar. The Mohini pillar is a sixteen-fluted star-shaped pillar with a large enchanting figure of Mohini, the female avatar of Vishnu, flanked by a Chauri bearer (someone who holds a plaited wig) and a Garuda (Lord Vishnu's mount.) It is perhaps one of the finest examples of the Hoysala pillar craftsmanship. The pillar has eight bands of carvings, including those of Brahma, Vishnu, Shiva, then ten avatars of Vishnu, the eight direction deities (Dikpalakas), mythical animals with the body of a lion but the face of other animals.

Chennakeshava temple, Beluru, Carvings on the concentric circles of the roof of the mandapa, p47

In the centre of the hall is a large open square, above which is a domed ceiling about 10 feet in diameter and 6 feet deep. The central ceiling of the open square, the Mantapa, is an exceptional beauty carved on stone. The ceiling is in the shape of an inverted lotus placed between two concentric circles.

Chennakeshava temple, Beluru, The inverted Lingas in between the lotus flowers carved on the roof, p48
Chennakeshava temple, Beluru, Carvings on the roof of the mandapa, p49

Left to right: a. Lord Narasimha carved on the base of the dome with a lotus flower in the middle.

b. Intricate carvings on the dome.

Chennakeshava temple, Beluru, A madanika dressing her hair, atop one of the central column of the mandapa, p50
Chennakeshava temple, Beluru, A parrot seated on the arm of a madanika, p51
Chennakeshava temple, Beluru, Sculpture of Queen Shantaladevi, p52
Chennakeshava temple, Beluru, The fourth madanika in the Mantapa is a Gandharva dancer, p53

The Shilabalikas or Madanikas are atop the four pillars in the centre of the Mantapa. Left to right:

a. A madanika dressing her hair

b. A parrot seated on the arm of a madanika

c. Queen Shantaladevi

d. A celestial (Gandharva) dancer

Chennakeshava temple, Beluru, Sculpture of Lord Keshava, p55

The mantapa leads to the garbha griha past the pillars and a doorway.

This doorway is flanked by dvarapalas, the gatekeepers of Vishnu, Jaya and Vijaya. The lintel is decorated with Makara Torana and filigree works. There is a figure of Vishnu with Lakshmi in the middle of the arch.

Inside the square garbha griha is the sculpture of Keshava, or as inscriptions call it “Vijayanarayana”. It stands on a 3 feet high pedestal, is about 6 feet tall with a halo. The sculpture is shown with four hands, with chakra and shankha in the upper hands and a gada and lotus in his lower hands.