Navaranga Interior

Chennakeshava temple, Beluru, The Mohini pillar, p46

The Mohini pillar

This sculptural relief depicts Mohini, a female avatar of Vishnu, carved into a pillar located near the dance floor. This stunningly beautiful and intricately carved sculpture was made of black stone (locally known as Krishna Shile), unlike most of the sculptural reliefs, which were made of soft soapstone (locally known as Balapada Kallu).

Note: Moha means Infatuation or crush. Mohini means a seductress.

According to Hindu mythology, Mohini is a by-product of the Samudra Manthana (Churning of the Ocean of Milk), which was a collaborative effort by devas (demigods) and asuras (demons) to produce amrita, the nectar of immortality. Once the churning produced amrita, asuras cleverly stole all of it. When Vishnu realized that asuras have amrita, he appeared as a beautiful young woman, a femme fatale, who enticed asuras and successfully grabbed amrita back from them and gave it to the devas.

As you can see from the image, Mohini has a slender and well-proportioned body. She is standing with a graceful stance, with her body slightly curved around the midriff. Her beautiful face has a calm and pleasant facial expression. A crown with an unusually tall cap adorns her head. She is wearing a variety of jewelry, including necklaces, anklets, and armbands. Above her long skirt, which has beautiful patterns, an udiyana (waistband) is wrapped around the waist.

Notice the looped thread hanging across the chest from the left shoulder to the waist. It is known as yajnopavita and is a symbol that indicates that the person wearing it – typically a man – has mastered the Vedas and undergone the Upanayana ceremony. Mohini wearing the yajnopavita does symbolize that she is indeed an avatar of Vishnu, generally depicted as a man.

If you look at Mohini’s toes, you will notice that her second toe is longer than the big toe. In modern medicine, it is considered a deformity, suffered by 20% of the population. This deformity even has a name, i.e., Morton’s Toe. In ancient India, a woman with Morton’s Toes is highly sought after for marriage because of the belief that she would make an ideal wife.

Narasimha pillar - full view
Chennakeshava temple, Beluru, The hand carvings on the Narasimha pillar, p45
Chennakeshava temple, Beluru, Narasimha pillar inside the temple

Narasimha Pillar

This intricately carved pillar is one of the major attractions of the Chennakeshava Temple. It is a testament to the ingenuity of the builders and sculptors of the temple. It is believed that this pillar had a rotating mechanism – like having ball-bearings at the bottom and top – to enable it to rotate about its own axis.

At the bottom, there is a rectangular pedestal on which the circular end of the pillar rests. People were able to rotate the pillar above the circular end. Above the circular end, there is a rectangular base, above which the pillar becomes circular. This circular space is divided into six horizontal layers, each of which has several miniature shrines carved into it.

Above the horizontal layers, the pillar gradually becomes narrower, ending up with two disc-like constructions, and then it evolves into a wide disc. Sitting on top of the wide disc is an inverse conical construction with a polygonal slab on the top. Above this is the capital of the pillar.

The entire pillar space is covered with fine filigree work. The base has reliefs depicting episodes, such as Samudra Manthana, Ravana shaking Mount Kailash, described in ancient Hindu texts and epics. A variety of deities are carved inside and around the miniature shrines.